WHO WE ARE
FESTIVAL DIRECTOR & PRODUCER
PROGRAMMERS
INTERNS
LEAD CREATIVES OF OUR THEATRICAL
SCREENING SELECTIONS
Charlie Luccini
Helen Rollins
Iwona Pasińska
Jamie Kalama Wood
Magdalena Zielinska
Marie Casimir & Mat Miller
Nathalie de Lopez
Pepper O'Bomsawin
& Barbara Kaneratonni Diabo
Raven Jackson
Sofia Castro
Viktorija Vrublevska
JEN RAY
Executive Director & Producer
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@jenraydancinema
@discoverdancinema
Favourite Dance Box Office Films/Movies:
Metropolis and Center Stage
The New York City Ballet's The Nutcracker
Favourite short screendances from past programming:
It's so difficult to just pick a few!
Colorwise - The Seaweed Sisters
Ingrid Silva - Ben Briand
Confrontation - Shannon Janet Smith & Steven Butler
Favourite dance documentaries:
Again, very diffucult to pick only a few but here goes...
Rare Birds, Let's Get the Rhythm, Uprooted
Favourite Musical Movies:
West Side Story and Singin in the Rain
DESIREE
GURNIAK
Intern
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Favourite Dance Box Office Films/Movies:
Dirty Dancing (1987)
Black Swan
Favourite Dance T.V. Shows:
The Next Step
Favourite dance documentaries:
Ballet 422
Favourite Musical Movies:
La La Land
ELENA
DAVISSON
Intern
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Favourite Dance Box Office Films/Movies:
Black Swan
Favourite Dance T.V. Shows:
Dance Academy & Shake It Up
Favorite shorts from past programming:
Ingrid Silva - Ben Briand
Isolations - Talia Shea Levin
Favorite dance documentaries:
Ballet 422
Favourite Musical Movies:
La La Land & Teen Beach Movie
CLARE
SCHWEITZER
Frameform Podcast Collaborator
Dancinema Programmer
Festival Alumni
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@jenraydancinema
@discoverdancinema
HANNAH
WEBER
Frameform Podcast Collaborator
Dancinema Programmer
Festival Alumni
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@jenraydancinema
@discoverdancinema
SCOTTY
HARDWIG
2021 Festival Panelist & Programmer
Festival Alumni
Scotty Hardwig is a movement artist, performer, and teacher originally from southwest Virginia. His research practice stems from the confluence of sensory media and the moving body, creating movement-based artwork through live performance, installation/site-specific, and cinematic frames. As a freelance performer and company member of AXIS Dance Company, he has had the honor of working with internationally recognized choreographers like Marc Brew, Stephen Koester, Johannes Wieland, Joe Goode, Amy Seiwart, Eric Handman, Yannis Adoniou, Satu Hummasti, Stephan Koplowitz, Damien Muñoz, and Virginia Garcia. As a choreographer, his processes are collaborative, experimental, and queer, investigating the existential in-between spaces of meaning and metaphor inherent to the human body in motion. He has created stage works for companies like the National Ballet of Ecuador (EC), LEVYdance (San Francisco, CA), La Revuelta Laboratorio Escénico (MX), the Dance Company of Middlebury (Vermont), and with his own collaborative teams under the moniker anatomy zero. Recent projects include Body, Full of Time (2019), Time Garden (2019-2020), ENGRAM 4 (2020), and Cloud City Collage (2021), which all investigate the chimeric relationship between digital and physical versions of self. Using motion capture technologies, immersive sound, animation, and virtual and augmented reality, these research works exist at the intersection of humanity and the digital.
In addition to being a choreographer and performer, he is also an award-winning videodance artist and director, with his dance for camera works frequently screened internationally in North America, Europe, and Asia. As a teacher, he frequently holds open workshops in performance, movement and media across the United States and internationally. He received his MFA in Dance from the University of Utah, and has served on the faculty at the University of Utah and Middlebury College, and is currently an Assistant Professor in Movement, Performance and Integrated Media at Virginia Tech, where he is experimenting and creating choreographic and cinematic works at the intersection of technology and the body.
Pina [2011, Wim Wenders]
Baraka [1992, Ron Fricke]
Satyricon [1969, Frederico Fellini]
there is a place [2010, Simon Fildes & Katrina McPherson]
Book of Days [1990, Meredith Monk]
Black Spring [2002, Benoit Dervaux]
a study in choreography for the camera [1945, Maya Deren]
The Cost of Living [2004, DV8 Physical Theatre]
Strange Fish [1992, DV8 Physical Theatre]
STEVEN
BUTLER
2021 Festival Faculty & Programmer
Festival Alumni
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@jenraydancinema
@discoverdancinema
DANIELLE
JEAL
Dancinema Progammer
Danielle Jeal is a creative soul who has made her life in Vancouver, BC. At this time she is working on developing her historical knowledge of ballet and the Cecchetti method in her teaching practices.
In her personal creative pursuits Danielle is forever interested in the marriage of words and movement in storytelling, and most recently in the stories we tell and are told about motherhood, maternal instincts, and the postpartum period.
Finally, Danielle is the founder and Exult Dance Association which creates opportunities for young artists to develop their creative process and skills.
When she's not thinking about dance, you can find Danielle moming it up with a book and cat in tow.
@daniellejeal
Favourite Dance Box Office Films/Movies:
Mao's Last Dancer and White Knights
Favourite short screendances from past programming:
Babelian Circles by Emma Villavecchia and Ferran Romeu
Waiting for Colour by Kosta Karakashyan
because they both distinctly represent the
particular capabilities of screendance for me.
Favourite dance documentary, again really everything I see.
One that I enjoyed recently was Ballet 422 which goes over c
horeographer Justin Peck's creative process.
Favourite Musicals:
Sweeney Todd or Easter Parade
MARK
ORSBORN
Dancinema Progammer
Festival Alumni
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@jenraydancinema
@discoverdancinema